Triple Alice 1

Triple Alice 1 - 1999

NT artists
NT guest speakers
BodyWeatherWorkshop + performance unit
theorists / writers
•BodyWeather Collaboration Projects
interactive website (softspace)

This laboratory was planned as the first step to developing the models and structures whereby a dialogue could occur between different artforms.

Daily Environmental Information

View the climatic conditions, images and journals from the bodyweather lab and the surrounding environment.

The Triple Alice crew

 

 

Triple Alice 1 took place at Hamilton Downs, in the Macdonnell Ranges, 110km nw of Alice Springs, Northern Territory, Australia.

 

for further details about Bodyweather and the please visit the bodyweather section of this site.

a day in the life of the lab:

HAMILTON DOWNS YOUTH CAMP - FACILITIES
Our facilities are the old homestead which is located 75km by road north-west of Alice Springs, off the Tanami Highway at Kunoth Well. There is bunk style accommodation, good kitchens, showers and toilets. Electricity supply is solar and by small diesel generator; water is from a bore. The cost of accommodation + food is $30 per person per day.
images

DAILY FLOW OF THE LAB
This following notes are designed to sketch up a sense of the general flow of a typical day in the Laboratory so as to generate an understanding of the physical realities and the kind of situations that arose and which generated interactive interest.

MEALS & CREWS
We had an estmated average of 45 people present on site. The caterer (Sandra Rotheraine) and kitchen crew (4 in all) provided regular meals three times a day. This gave a certain consistency to the daily life of the lab but also provided a frame for exchange and interaction that could be recorded. Breakfast was self-service from 6.00am till 9am. Lunch was from 12 or 1pm and dinner around 6.30 - 7pm. Dependent on the nature of the gathering and the groupings present, alcohol was sometimes available in the evenings. Riverbed campfires and informal gatherings were interspersed with guest speaker talks and discussions generated by the theorists. Besides the technical crew associated with the website and the documentation, there was an adminstrator responsible for the liason of the lab (Angelika Fremd) and the hosting of the Territory artists and speakers (Christine Lennard).
meet the bodyweather crew
The caterers would like to thank :
Macro Wholefoods - Sydney (+612) 93897611
Spiral Food - Melbourne and Sydney
Coles - Alice Springs

BODY WEATHER WORKSHOP
The workshop (average 45 persons) generally maintained a consistent time structure that was mostly repeated every day to enable participants to enter a regular flow of process ang gauge change. The morning Muscle Bone (MB) workout which is quite strenuous started at 8am for the first week but then was brougt forward to 7.30am due to the intense morning heat. MB sessions lasted 2 hours. It was followed by manipulations which took up to two hours. Lunch at midday was followed by a long break having the function of a siesta and would relieve the participants from undue exposure to the midday sun. This was generally a period of individual time. Afternoon sessions were investigative, sensitivity work and sometimes involved treks through the surrounding landscape. The afternoon workshop also involved participants working in shifting combinations of groups or alternatively individually in relation to the landscape although the main emphasis was on experiencing a common group body. Within the Body Weather process is a constant verbalisation of sensory perception - we intended to record this on audio tape for edited upload as part of the lab. Participants were encouraged to maintain a log of their daily experiences, excerpts of which were uploaded daily to the lab page parallel to their own direct unedited contributions which would be a part of the web forum pages.The Body Weather workshop was open for general participation for any Laboratory people from other components - NT artists, writers, theorists etc -who wished to participate on the same basis as the workshopees.
see what happened in the bodyweather workshop

NT CONTRIBUTING ARTISTS
We anticipated a constant shift in dynamics according to how individual and groups of artists (estimated total of 20-30 persons) participated and contributed to the Laboratory. Each artist could define the length of time they wished to be on site at Hamilton Downs as well as the type of work and interaction they wished. Some stayed the entire duration of the three weeks, others were only on site for one day. Some involved extensive use of physical materials, others not. The process of each person and grouping differed and the extent to which anyone wished to have their work documented or included in the website was negotiated individually.
meet the artists

THEORISTS, WRITERS & GUEST SPEAKERS
The theorists and writers were 4,( Ian Maxwell & Gay MaCauley - CPS, USyd, Martin Harrison - UTS, Realtime writer, Playworks and Peter Snow - Monash University) were the main contributors on site for varying lengths during the lab. Their individual process of observation varied as did the nature and level of their direct interaction with artists, workshop participants and documenters.The Territory guest speakers were in the main invited to speak in the evenings over or after dinner.
meet the guest speakers

DOCUMENTERS
The initial days were used to gather material that portrayed the site, the operation of the Territory artists, the theorists and the basic structure and framing of the Body Weather workshop. Once this was established and to avoid repetition of material, the focus was more in depth and continually charted both the details and the generalities of the various processes at work alongside modulations in individual and group investigations so as to bring about a sense of overall overview . Verbal interchange both between different contributing groupings and within the workshop were recorded both in audio, video and written form.

THE SITE, ENVIRONMENT & CLIMATIC CHANGES.
Another element we consider important in the build-up of the Laboratory and website was a constant mapping of the space and the changes that are occurred at the site - day and night. This related into the monitoring and detection of weather in its broadest sense, into navigation and the registering of space that concerned both the workshop, the theorists and some artists.
climate
images of the site and the surrounding area

 

Triple Alice - SPACE Û PERFORMANCE Û MEDIA

Triple Alice engages with the nature of artistic practice for the new millennium. It takes the Central Desert as fundamental to its mapping of the future of artistic, cultural and media practice. Held over three consecutive years, Triple Alice convenes a forum and three live, site- and temporally-specific laboratories staged over three weeks each year. The forum and laboratories are accessible through an interactive website which is formative of and integral to the event.

triple alice 1999 - 1st ripple:
NT Artists; NT guest speakers; BodyWeatherWorkshop + Performance Unit; Theorists/Writers
This first laboratory 20 September until 10 October focussed on contemporary arts practices of the Central Desert and brought together indigenous and non-indigenous artists from the Northern Territory and local guest speakers to contextualise the site. The interstate and international Body Weather workshop participants were joined by a Dance-Performance Unit under the direction of Tess de Quincey. Theorists and writers maintained an onsite flow of changing input and theoretical debate. The interactive website transmitted the laboratory and invited remote participation - a cross-cultural interdisciplinary meeting of theory and practice.

triple alice - 2nd ripple (currently projected for 2001):
Interstate Collaborative Artists; Performance for Web & Screen - Live Interstate Linkup; Theoretical Forum.

This second lab will build on the experience and language developed in the first lab. It opens out to interstate artistic collaborations and invites a wider range of response, particularly from New Media artists, both through physical attendance at the lab as well as remote interactive networking with it. Participation from remote sites will include live interstate linkups with art venues in the major cities. The major emphasis will be on performance and art works specifically designed for electronic media.

triple alice - 3rd ripple (projected for 2003):
On-Line International Laboratory, Seminar & Festival.
This lab will correlate the codifications of space and time in the different traditions of performance and artworks with that of other disciplines, including astrophysics, philosophy, astronomy, military research, navigation, etc. In parallel with this exchange, live and on-line performance and artworks will synthesise the results of the first two labs.

The Triple Alice Website - www.triplealice.net -
aims to capture, relay and interact with the components of the live 3-week stages over each year and host the continuing Forum.
The website is a digestive and interlocking function during and between the live laboratories - maintains a flow of changing input and theoretical debate on the website. Building accumulatively over the three years, 1999-2001, it relays to an audience and to an artistic involvement in an interactive circuitry through electronic media. Developing a network of nationwide and global exchange, it questions the relevance and shape of performance and the shape of artistic practice in the next century.

The Triple Alice Laboratories are cross-cultural multi-disciplinary laboratories of research and development in and around Alice Springs. In their site-specific relation to the environment, they provoke an involvement and relation to sensory experience and perception alongside a correspondence within virtual space. The short and intensive Laboratory periods staged each year, allow physical work to be developed in real time and space; the first stage in 1999 anchored a relationship into the Territory and its artists, the following plan to open out to an exchange with interstate artists and then to international collaboration. As a meeting of theory and practice, this series of laboratory-workshops brings together multi-disciplinary practice alongside informative seminars/meetings/conferences emphasising dialogue both in hard space as well as in a new-media environment. The exchange between different artforms and focus on the contemporary practice of the Central Desert opens an arena to examine the performative elements of different disciplines - both in terms of their physical and mental boundaries as well as the performative parameters of virtual and non-virtual space.

A commitment to the Alice -
-to the centre of the continent and to the Central Desert, springs from the belief that the place represents a burning point - geographically, culturally and politically - highlighting issues of contemporary importance which have an immense bearing on the parameters of artistic and cultural practice. Inherent within the concept of investigating the space of perception within the outback is an inevitable and extensive historical relation to the establishment and function of electronic media in the Central Desert - bush telegraph, radio, television, satellite relay and the Internet. These media are integral components within the contemporary environment.

While Triple Alice invites audiences to focus into the centre of the continent through a website, the Laboratory work is anchored in the physical space and reality of the Central Desert - the information embedded in prehistory, Indigenous history, post-colonial history and the perspective of global futures which forms the contemporary reality - the parameters of perception - the virtual space of The Alice.

Triple Alice is initiated by Tess de Quincey and is a partnership between BodyWeather, Desart, Centre for Performance Studies (University of Sydney) and The Performance Space.

contact:
triplealice@usyd.edu.au for further info

 

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